![]() ![]() He continued playing the piano and going to concerts. Tchaikovsky was not naturally suited to such a job but he remained at the Ministry of Justice for four years, bored but dutiful. ![]() Petersburg as civil servant, a class of workers that represented petty officialdom and oppression to ordinary Russians. After graduation, Tchaikovsky entered the Ministry of Justice in St. Though his musical training was informal, the boy composed a waltz for piano in her memory. When he was 14 years old, Tchaikovsky' mother died of cholera. Petersburg, the boy entered the School of Jurisprudence in 1850 and quickly passed through the school's upper divisions. When his father moved to Moscow and then to St. His childhood piano teacher was Maria Palchikova, a freed serf, and within a year he was able to play better than she could. After hearing tunes from the opera Don Giovanni, Pyotr became a lifelong admirer of Mozart. One night after a party, Alexandra found him awake, pointing to his forehead, and crying, "Oh this music, this music! Take it away! It's here and it won't let me sleep!" Pyotr's father played a great variety of music on his orchestrion, a rudimentary form of a record player. Tchaikovsky was musically precocious, but his interest was not actively encouraged because his parents felt it had an unhealthy effect on an already neurotically excitable child. His father was superintendent of government-owned mines, and his mother Alexandra was half French. Early life and education Tchaikovsky was born on May 7, 1840, in Kamsko-Votkinsk, a small industrial town east of Moscow. His chamber music includes string quartets, solo piano music and many fine songs. Of the operas, Eugene Onegin is a masterpiece and The Queen of Spades dramatically effective. Notable among his other orchestral works are the early Romeo and Juliet Overture and the exquisite Serenade for Strings. His last three symphonies are deservedly famous, and to these should be added the neglected Manfred Symphony, the First Piano Concerto and the Violin Concerto. He is certainly the greatest master of the classical ballet. He achieved an enormous popularity with a wide audience, largely through his more emotional works but the almost hypnotic effect that he was able to induce led to serious questioning of his true musical quality. No composer since Tchaikovsky has suffered more from changes of fashion or from the extremes of over- and under-valuation. His success in bridging the gulf between the musician and the general public partly accounts for the position he enjoys in Russia, as well as throughout the world of music. Though his later work rejected conscious Russian nationalism, its underlying sentiment and character are as distinctively Russian as that of the Russian nationalist composers. His work is a manifestation, sometimes charming, often showy, of repressed feelings that became more and more despairing in later years and were most fully expressed in his Sixth Symphony, one of the greatest symphonic works of its time. Among the most subjective of composers, Tchaikovsky is inseparable from his music. He is regarded as the master composer for classical ballet, as demonstrated by his scores for Swan Lake, The Nutcracker, and Sleeping Beauty. Tchaikovsky was a leading Russian composer of the late 19th century, whose works are notable for their melodic inspiration and their orchestration.
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